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The Heart of Yamaha's Flagship Hi-Fi System
The Yamaha C-5000 Preamplifier represents Yamaha's pursuit of reference-level two-channel music reproduction. Created as part of the flagship 5000 Series, it is engineered to preserve the smallest musical details, spatial cues and dynamics from the source while introducing as little noise or coloration as possible.
Rather than focusing on digital processing or convenience features, the C-5000 is a pure analog preamplifier built around signal integrity, exceptional channel separation and meticulous mechanical construction. The result is a component designed for listeners who want their system to disappear and the musical performance to take its place.
Fully Floating & Balanced Signal Architecture
At the foundation of the C-5000 is Yamaha's patented Floating and Balanced preamplifier architecture.
With Tone Defeat engaged, fully balanced discrete circuitry extends throughout the signal path, while the floating design is applied to the phono EQ, input amplifier and line amplifier stages. By minimizing the influence of ground noise and unwanted electrical interaction, Yamaha preserves delicate musical information as it travels through the preamplifier.
The C-5000 can also form an end-to-end balanced analog signal path when partnered with Yamaha's GT-5000 turntable and M-5000 power amplifier.
Symmetrical Construction for Precise Stereo Imaging
Inside, Yamaha uses an elaborate folding-book circuit design that mirrors the left and right signal paths.
Maintaining physically identical layouts for both channels improves separation and precise signal matching, helping the C-5000 reproduce a soundstage with convincing width, depth and placement.
This symmetrical philosophy extends far beyond the circuit boards. Yamaha designed the power supply, chassis and internal wiring around extremely low impedance and minimal interference between critical audio stages.
Independent Power for Left & Right Channels
The C-5000 employs two independent toroidal transformers, providing dedicated power supplies for the left and right channels.
Each transformer is enclosed in a copper-plated case designed to suppress magnetic leakage and vibration. Yamaha also copper-plates the chassis and uses thick screw-type wiring connections to lower power-supply impedance and preserve even the most subtle musical information.
These are not simply construction details—they are part of Yamaha's effort to create greater channel separation, lower noise and a spacious, stable stereo image.
Reference-Level MM & MC Vinyl Playback
Vinyl playback receives the same attention as the C-5000's line-level circuitry.
Its dedicated MM/MC phono stage uses a full-floating and balanced design and provides both balanced and unbalanced phono connectivity. Moving-coil cartridge loading can be selected between 10, 30, 100 and 300 ohms, allowing more precise matching with compatible MC cartridges.
A switchable subsonic filter is also provided to reduce unwanted ultra-low-frequency information without compromising the musical signal.
For a reference analog system built around a high-performance turntable and cartridge, the C-5000 can serve as both the system's control center and its dedicated phono preamplifier.
Crafted Like a Musical Instrument
The C-5000's attention to detail extends to everything the listener touches.
The precision-machined aluminum volume control uses a specially engineered bearing structure for an exceptionally smooth and substantial feel. Yamaha's custom lever switches, rigid copper-plated chassis and heavy-duty brass feet reflect the same emphasis on mechanical precision found inside the component.
The feet can be configured as spikes or used with protective bases, allowing the component to be installed appropriately on different equipment surfaces.
At more than 42 pounds, the C-5000 has the physical substance expected of a no-compromise flagship analog component.
The Foundation of a Reference Yamaha System
Pair the C-5000 with the Yamaha M-5000 Power Amplifier to create a fully balanced flagship amplification system. Add the GT-5000 Turntable and Yamaha's balanced architecture can extend from the phono cartridge through the preamplifier and power amplifier.
For the listener building a reference two-channel system, the C-5000 is more than a source selector and volume control. It is designed to preserve the space, scale, texture and emotion contained in the original recording—bringing the listener closer to the performance.
Frequently Asked Questions
What makes the Yamaha C-5000 different from a conventional preamplifier?
Does the C-5000 have a built-in phono preamplifier?
Can I connect a moving-coil cartridge to the C-5000?
Is the C-5000 designed to work with the Yamaha M-5000?
Does the C-5000 include a DAC, Wi-Fi or music streaming?
Specifications
| AUDIO SPECIFICATIONS | |
| Input Terminal | RCA:6 (PHONO, TUNER, CD, LINE 1, LINE 2 IN, EXT IN), BAL:4 (PHONO, BAL 1, BAL 2, EXT IN), TRIGGER IN: 1 (Slave mode), REMOTE IN:1 |
| Output Terminal | RCA:3 (LINE 2 OUT, LINE 1, LINE 2), BAL:1 (BAL), TRIGGER OUT: 2 (Master mode), REMOTE OUT:1 |
| Rated Output Voltage | [Input 200 mV, 20 Hz-20 kHz, 0.01% THD] (BAL BYPASS) 2 Vrms / 150 ohm, (BAL ATT) 1 Vrms / 150 ohm, (LINE 1 / LINE 2) 1 Vrms / 150 ohm, (LINE 2 RECOUT) 200 mVrms / 1.2 kohm |
| Maximum Output Voltage | [1 kHz, 0.05% THD] (BAL) 6 Vrms, (LINE 1 / LINE 2) 3 Vrms, (LINE 2 RECOUT) 3Vrms |
| Input Sensitivity / Input Impedance | [BAL / LINEOUT: 1 V] (BAL) 200 mVrms / 52 kohm, (LINE,etc) 200 mVrms / 47 kohm, [LINE 2 RECOUT, 150mV (1 kHz)] (PHONO MC 100 ohms) 100 uVrms / 300 ohms, (PHONO MC 100 ohm) 100 uVrms / 100 ohms, (PHONO MC 30 ohm) 100 uVrms / 30 ohm, (PHONO MC 10 ohm) 100 uVrms / 10 ohm, (PHONO MM BAL(UNBAL)) 2.5 mVrms / 52 k (47 kohm), (EXT IN) 1 Vrms / 20 kohm |
| Maximum Input Signal Voltage | [LINE2 REC (1kHz, 0.05% THD)] (BAL) 2.8 Vrms, (BAL ATT) 5.6 Vrms, (LINE,etc) 2.8 Vrms, (PHONO MC2) 2 mVrms, (PHONO MM) 50 mV rms, [BAL/LINEOUT (1kHz 0.05% THD)] (EXT IN) 5.6 Vrms |
| Frequency Response | [JEITA, Load 22 kohm] (BAL/LINE, etc) +0 / -3 dB (10 Hz-100 kHz), +0 / -0.3 dB (20 Hz-20 kHz) |
| Total Harmonic Distortion Plus Noise | [JEITA, Input: 0.5 V] 0.0100% (BAL [LINE, etc.] to BAL [LINE], 20 Hz-20 kHz), 0.0200% (MM / MC BAL [UNBAL] to LINE 2 RECOUT, 20 Hz-20 kHz) |
| Channel Separation | [JEITA, Input 1.0 kohm terminated, 1 kHz / 10 kHz] 110 dB or higher (BAL / LINE, etc.) |
| Function Separation | [IHF-A network, Input 1.0 kohm terminated, JEITA] 110 dB or higher (BAL / LINE, etc.), 75 dB or higher (MC, BAL / UNBAL), 95 dB or higher (MM, BAL / UNBAL) |
| Signal-to-Noise Ratio | [IHF-A network, Input 1.0 kohm terminated, JEITA] 110 dB or higher (BAL / LINE, etc.), 80 dB or higher (MC, 300 ohms, BAL / UNBAL), 98 dB or higher (MM, BAL / UNBAL) |
| Residual Noise | [IHF-A network] 3 uV (BAL / LINE OUT) |
| Tone Control Characteristics | (BASS) Boost / Cut [30 Hz] ±9 dB, Turnover Frequency 350 Hz, (TREBLE) Boost / Cut [20 Hz] ±9 dB, Turnover Frequency 3.5 kHz |
| Headphone Jack Rated Output Power | 35 mW + 35 mW (CD, etc. [1 kHz, 32 ohm, 0.2% THD]) |
| Deviations from RIAA Equalizer | ±0.5 dB (MC / MM BAL [UNBAL]) |
| Subsonic Filter | 15 Hz -3 dB (MC / MM BAL [UNBAL]) |
| GENERAL | |
| Power Consumption | 60 W |
| Standby Power Consumption | 0.2 W |
| Power Management (Auto Power Standby) | Yes |
| Dimension (W×H×D) | 17-1/8" x 5-5/8" x 17-3/4" |
| Weight | 42.11 lbs. |
| WHAT'S IN THE BOX | |
| In the Box |
Yamaha C-5000 Preamplifier Remote Control Batteries Power Cord Owner's Manual Safety Brochure |
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